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guitarist, composer, educator

Eric Hofbauer & EHX: Tongues/Hope Language  (Creative Nation Music) Released April 2026

 

Tongues / Hope Language is a concept double album exploring the sacred power of storytelling — from the direct and literal to the mystical and unspoken. The two discs are two sides of the same question: if Tongues is the act of communication, Hope Language is its content and outcome. 
 
Tongues examines how we speak to power, to each other, and to ourselves. Regina Spektor’s “Us” becomes a driving string trio of rhythmic hockets and a flowing lyric that shifts from soaring declaration to sardonic whisper — world-weary wisdom delivered with a wink. Radiohead’s “How to Disappear Completely” blends hints of
Argentinian chacarera, polyrhythms and eerie electronics to lean into the lyric’s central idea: memory and nostalgia as coping tools. Hendrix’s “Up from the Skies” is given a poly-tonal harmonic frame, delivered with cool restraint — the calm inside the storm of climate catastrophe. Björk’s “Army of Me” is stripped to percussive, modal
jazz that simmers before erupting with distorted force; the text “you’ll face an army of me” never far from the surface.
Hope Language turns inward and outward at once. The album opens with McCartney’s “Mother Nature’s Son” reimagined on tenor banjo — Hofbauer’s recorded debut on the instrument — traveling from blues Americana to the outer edges of post-bop harmony. Peter Gabriel’s “Flood” forms the darker counterpart: pastoral warmth against something menacing, building from whisper to full growl. Sting’s “Russians” becomes a cold war 2.0 revamp — warbly tape-filtered guitar and haunting cello melodies connecting the 1980s to now, the lyric’s plea still piercing. The album closes with Sly Stone’s “Everybody Is a Star” and Abbey Lincoln’s “Long As You’re Living” woven together into a soulful blues elegy — a pure, hard-won hope in humanity to conclude the double album’s arc.

Prof Hof's Thirty Nearly Impossible Études for Guitar Duo (Creative Nation Press) Digital Re-Released Aug.2026

 

                      What's old is new again. For the 10 year! anniversary                      of this unique duet étude book, I have put it out in digital                      and e-book formats. It's still nearly impossible as ever,                          definitely a great workout for advanced players in any                        style, especially jazz or modern music. I often get my                     grad students to try these out, no one has made it past étude #3, but I assure you they are all playable. I composed them on the guitar then wrote them out so there was a time I could play them all. Below is the Google (and therefore AI scraped) description of the book, which surprisingly is hallucination free and quite an accurate description. and below that are two old videos of  Eric and 'cool' Eric playing a couple of these duets. I really need to make more of these, perhaps with other players. Email me if you want to make some recordings/videos of an étude or two with me! Could be fun. Finally at the bottom, links to digital and e-book vendors.

 

Core Features of the Book
  • 24 Key-Based Études: Twenty-four of the duets are dedicated to key centers, giving players one piece for every major and minor key.
  • Modern Harmonic Studies: The last six études focus on complex, modern topics like polytonality and twelve-tone melodies.
  • Rhythmic & Metric Complexity: The collection uses mixed meters, polyrhythms, poly-pulse, extreme syncopation, and unorthodox tuplets.
  • Multi-Layered Challenges: Every single étude forces the players to coordinate a specific harmonic, rhythmic/temporal, articulation, and technical challenge at the same time.

 


“The virtuosity displayed by Eric Hofbauer is staggering at times, but his acumen as a composer is even more impressive.” 
— Burning Ambulance

Video Content - Ives, Beatles & Jamaaladeen

Three new YouTube videos that highlight some wide ranging topics and music. The video above is a lecture/demonstration about the relationship between Charles Ives' compositional language and its relationship with jazz and other improvisation vocabularies. It was shot in the Ives library, housed in the American Academy of Arts and Letters. The first video below features the new EHQ, Noah Preminger, tenor, Hofbauer, guitar, Sean Farias, bass and Francisco Mela, drums performing a Hofbauer arrangement of "Mother Nature's Son" by Lennon-McCartney. It was from the Wild Music Festival in Aug. 2024 on George's Island in Boston Harbor. The final video is from the Dave Bryant album release concert in May '24 for the album Wire and Bone which features Jamaaladeen Tacoma on electric bass! Bryant, keys, Hofbauer, guitar, George Garzone, tenor, Kenny Wessel, guitar, Chris Bowman, drums. It's funky and free, as you would expect an ensemble comprised mostly of Ornette Coleman's Prime Time. Check out 9:30 mark. Sunk in the Funk by J Tacuma. 

 
Concert Video - Glass Houses For Sound: Kris Davis, Noah Preminger, Eric Hofbauer & the Longy Now's The Time Ensembles.

On 3/10/22 Kris Davis kicked off the new Visiting Artist Collaborative Series at the Longy School of Music (the original date was 3/13/20...two years later we finally pulled this off!) Kris plays a solo set followed by a trio set with Noah Preminger (tenor sax) and myself (guitar and electronics), mostly improvisations based off of a few composed themes by Noah and myself. the final set features two student groups playing joining Kris to play through several of her compositions from her album Diatom Ribbons. There was something healing and powerful in the improvisation this night, a catharsis to counteract the burnout we (musicians and audience alike) wore on our bodies. The music and the creative spirit of everyone involved lifted that heavy garment (even if only for the concert.) It was an inspiring night! Thank you Kris and everyone involved, it was such a success on every level. 


 

Boston-trained guitarist Eric Hofbauer cuts a broad swath through modern music since 1890: lassoing Satie, Nico, Waylon Jennings, and “Old Man River” into a 2002 solo record; playing Ives, Stravinsky, Messiaen, and Ellington’s elegy “Reminiscing in Tempo” in a memorable series of albums with his “Prehistoric Jazz” chamber quintet. Nowadays he also runs the jazz and contemporary music department at Bard’s Longy School. Hofbauer balances the serious and playful, and he gets an appealingly chunky, spiky acoustic guitar sound like the pre-amplified masters: he doesn’t lean on the signifiers but the (percussive) blues esthetic runs deep. - Kevin Whitehead, Moments Notice

Eric Hofbauer at Union Sound Studio

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